Theoretical Discussions
of Biography
Approachesfrom History, Micro history,
and Life Writing
Revised and Augmented Edition
Edited by
Hans Renders
Binne de Haan
With a Foreword by
Nigel Hamilton
BRILL
LEIDEN
I BOSTON
THE PEl
CHAPTER 17
The Personal in the Political Biography
Hans Renders
better tJ
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the pen
gotten1
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、ゥァ
A terminological misconception has been active for a long time: the 'literary
biography' is not so much a life history with literary qualities as the biography
of a literary figure. And therefore, similarly, the phrase 'political biography' is
generally intended to designate the biography of a politician. The inappropriateness of this parallel usage is easily explicable: a literary biography, the biography of a writer in which hardly any attention is devoted to thtt subject's
oeuvre is common, while a biography of a politician without extensive attention for his political ideas would be utterly absurd. That this is so has to do with
the wide range of meaning of the word 'politics', but also with the status of the
writer in our society. He or she is a star, loved and admired, while the politician
is in the best case a hard-working, reliable servant. Much from the private life
of a politician has political significance and political consequences, attributed
to it by others, while the life of a writer is only relevant to the literature if he
writes about it himself. The image of a politician is seen as a blueprint for his
ideas. The hairstyle of a Dutch prime minister was adapted, one could say, to
make his ideas and opinions seem to fit the time better. The life of a writer
receives, in the media today, considerable attention, but no one would write
about the sexual aberrations of a poet if he had not made them a theme of his
poetry.
The French philosopher Henri Bergson wrote on 2 February 1935 his socalled 'Instructions concernant rna biographie', urgent advice to his biographer
Gilbert Maire who would publish a biography in that same year. 1 Bergson
begins by saying that it would be unnecessary to involve his family in his biography, or even to mention them. 'Just say that I was born in Paris, rue Lamartine:2
Maire respected the 'Instructions' almost to the letter. If you read the subtitle
of his biography, you already know enough: Mon maitre.
Now, Maire would have been an obedient biographer without the instructions, but what was so interesting about Bergsons' letter was that he understood
1 Gilbert Maire, Bergson, man maitre (Paris: Editions Bernard Grasset, 1935). Bergsons
2
'Instructions' were written in February; Maire's book was printed on 30 September of that
same year.
Philippe Soulez and Frederic Worms, Bergson (Paris: Flammarion, 1997 ), p. z88.
© KONINKLIJKE BRILL NV, LEIDEN, 2014
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THE PERSONAL IN THE POLITICAL BIOGRAPHY
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1935). Bergsons
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better than his biographer that a biography is not so much the story of a life but
the story of a legacy. The legacy is an entity that begins to live with the death of
the person whose biography is being written. He has to do with faded and forgotten personal papers -like school notebooks, letters, declarations, notebooks
and daily minders - and the dream of every biographer: diaries. But also: the
letters and diaries of others in which he appears and which, sooner or later,
digitally or not, are associated with him.
Nevertheless, the politician can more effectively influence his biography
posthumously with his legacy than by any other means. The deceased perishes
while his legacy grows. His colleagues, his friends, his family, the institutions
where he worked all pass away, and they all leave a trace behind. The legacy
constantly expands, and the commentary on it even more so. The collection of
letters by Joop den Uyl, the late prime minister of the Netherlands, housed in
the International Institute for Social History in Amsterdam will grow considerably during the next twenty years, as his old friends and colleagues pass away,
According to the French historian Franc;ois Dosse, who published a book
about political biography in zoos, political biography's right to exist depends
on a visible shift of attention from an individual to an ideological context. The
biographer is required to provide a narrative of the transformation of the private individual into a public figure. 3 That may be true, but a biography serves
in the first place to come to grips with the genesis of his hero's legacy. Who
established the archive of the politician? Who has maintained it and possibly
sifted through the material and transferred what remained of it to a public
institution? Was the politician involved in the process? Did he preserve letters
of rejection, from those he loved or wanted to work for? No one wants to be the
accountant of his own disappointments, but to destroy the traces of such
things is dangerous. Even non-public individuals can be recovered in hundreds
and even thousands of records. Think about municipalities, taxes, doctors,
supermarkets, sport clubs and internet-providers, and, equally sensitive to privacy, the library. That is not even considering the records of friends. Might it
not be the case that politicians have written autobiographies in recent years
because they know that in their legacy, at least in that part over which they
have no control, an image might rise which they wish to correct? It is especially
politicians who create that impression.
Almost every working day, a biography appears in the Netherlands, those
originally written in Dutch and those translated from another language taken
together. This fact notwithstanding, one hears continuously the complaint
3 fイ。ョ
!88.
217
セ[ ッゥ ウ@ Dosse, Le pari Biographique. Ecrire une vie (Paris: Editions la Decouverte, zoos),
p. 346-354·
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that things are so much better in England, that so many more biographies
appear. This calls for a critical look. The genre is so popular, in both England
and the Netherlands, that more and more books called biographies enter the
market that don't deserve the name. In England and the United States, whole
bookcases are packed with biographies, but closer inspection reveals titles
along the lines of Recipes Chosen by Britney Spears or Exercise Yourself to be
Healthy and Slender Like Barbara Streisand placed without hesitation in the
biography section, just like publications with subtitles 'biography of a village',
'biography of a river' and 'biography of a building'. In the Dutch book trade,
similarly, a book dedicated to the memory of a popular singer is immediately
labeled a biography, but it is equally true that of the 250 to 300 biographies
published each year, a substantial portion are written by academics or at least
satisfy the standards and expectations of academics. We only need to ュセョエゥッ@
the biographies of the Dutch ex-prime ministers Jo Cals, Hendrik Colijn and
Willem Drees or of the American president Bill Clinton to realize that the
claim that historians have rediscovered the biography is justified. Political history has been enriched thanks to these and other biographies of politicians.
The biographer has to make clear that a person's private background has
influenced his public achievements. If he fails to do that, he might as well not
have written the biography. This position can easily be defended with a couple
of examples.
Social politics in the Netherlands has long oscillated between two extremes:
the solidarity which citizens feel for their socio-economically weaker compatriots and the fear which those same citizens feel for communism. The champions of the middle-way have been, from the beginning, the social liberals. The
journalist and politician Hendrik Goeman Borgesius was one of their most
important representatives. His biographer allows Goeman Borgesius's personality to disappear as the book progresses. 4 He becomes a phantom behind his
political ideas, and the biographer appears to be interested only in the distinction between his ideas and those which the socialists, Catholics, Protestants
and ex-liberals advanced. That is a useful exercise, but deadly for a biography.
The same is true for the biography of the Dutch politician and jurist Jan Donner
written by Job de Ruiter (former Minister of Justice ). 5 The biographer says that
Donner was a distinctive personality but his book is much more a summation
of Donner's genuinely distinctive professional life - a link between his role as
diligent father and husband and his career in political circles is never made.
1'l
218
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1970).
4 Bert Wartena, H Goeman Borgesius (1847-1917 ). Vader van de verzorgingsstaat. Een halve eeuw
liberate en sociale politiek in Nederland (Amsterdam: Aksant, 2003).
5 Job de Ruiter,]an Donner; jurist. Een biografie (Amsterdam: Uitgeverij Boom, 2003).
Jonge.
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1982, a
RENDERS
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THE PERSONAL IN THE POLITICAL BIOGRAPHY
219
The Personal is Political
In a variation on the adage that a novel is a made up biography, the former
socialist politician Lambert Giebels described a biography as a novel with
annotations. That sounds romantic, but it is well established that in a biography there has to be some intrigue, 'the hidden wound', Gustave Flaubert would
say. Historians like to talk about their views, some of them about their social
views, but that is still something different from exposing the hidden wound of
the protagonist. The intrigue in the biography of the statesman Louis Beel
(KVP: Catholic People's Party), for example, is, according to his biographer,
Lambert Giebels, his escape from an unhappy marriage. 6
Interpretations like this are not without their risks. The British politician
James Keir Hardie was criticized by his backbenchers for fighting harder for
feminism than for socialism. His biographer Kenneth 0. Morgan wrote that
Hardie had a secret relationship with the suffragette Sylvia Pankhurst. Does '
this explain the criticism or did Hardie genuinely believe that feminism was
more important than socialism?7
Sometimes the personal perspective on a large theme reveals more than
placing it in a grand context. The personal as the motor of the political is something that we encounter, among other places, in the many biographies of
Dutch people who collaborated with the Nazis during the World War II.
The human interest in collaborationist countrymen has enhanced our understanding of the political culture in the Netherlands during the inter-war
years. Thanks to a few biographies we have been able, as it were, to distinguish
several typologies of politicians from the period. By means of the biography of
the national-socialist poet, journalist and publisher George Kettmann
by Willem Huberts, we know how the 'early birds' of fascism and nationalsocialism in the Netherlands developed on the strength of what the historian
A.A. de Jonge has called 'the small political crisis': the citizens' great dissatisfaction, their distrust of the way the government was functioning. 8 The crisis
unfolded at the same time as the intellectuals were growing concerned about
6 Lambert Giebels, Bee4 van vazal tot onderkoning: biografie 1902-1977 (The Hague: sou, 1995).
7 Kenneth 0 . Morgan, 'Writing Political Biography', in: Eric Hornberger and john Charmley ed.,
The Troubled Face ofBiography (Basingstoke [etc.): Macmillan, 1988), p. 33-48.
8 W.S. Huberts, Schrijver tussen daad en gedachte. Leven en werk van George Kettmann]r. (18981970 ), met een bibliografie ('s-Gravenhage: Stichting Bibliographia Neerlandica, 1987 ); A.A. de
Jonge, Crisis en critiek der democratie. Anti-democratische stromingen en de daarin levende
denkbeelden over de staat in Nederland tussen de wereldoorlogen (Utrecht: HES Uitgevers,
1982, original1968).
220
RENDERS
the dangers of national-socialism and communism. 9 Kettmann addressed
himself to the small man who experienced the small crisis, converted to totalitarian thinking as early as 1931 and made a career for himself as journalist,
writer and publisher. In all of these capacities, he felt an obligation to produce
a commentary on what we have subsequently come to call the great political
crisis. As a publisher he was responsible for the publication of, among other
works, Mein Kampfby Adolf Hitler, who, as head of government, was friendly
with Holland. The national-socialist Kettmann cannot be accused of opportunism because in 1931, as a direct result of his public position, few of his colleagues in the world of journalism, literature and publishing were willing to
support him. The same can be said of Anton Mussert, the leader of the Dutch
National-Socialist Movement (NSB ). It becomes clear in jan Meyers's biography
Mussert, een politiek Leven that hardly anyone else was so convinced that he
could and felt that he had to save the Netherlands as the hydraulic-engineer
Anton Mussert. In 1931 he established the National-Socialist Movement and
thanks to Meyers's biography we explain his political choices to a large extent
on the basis of his private background.l0 His delusion that he had to play the
part of a second Johan van Oldenbarnevelt (Dutch statesman who in 1609
agreed a truce with the Spanish oppressors of the Netherlands), as the biographer clearly demonstrates, was already distinctly present when he was a child,
a student and an engineer. The Spitzbiirger Mussert spoke about big ideas, but
he was driven by indignation about the way political institutions were
functioning.
In zoos, the biography was published of the Flemish nationalist August
Borms, a collaborator during both World War I and II, although the collaboration
deserved to be weighed differently in the two cases.11 In the Netherlands Borms
is known especially because the writer Willem Elsschot once wrote a poem
about him, after his execution in 1946. In Flanders, he is still famous and infamous as a symbol of extreme Flemish radicalism. His biographer, Christine van
Everbroeck, has unraveled the Borms mystery and, with that having been done,
little of it remains. Thanks to this biography, we know that while the Borms-cult
may have grown to mythic proportions, the political influence that has been
attributed to him was in fact not all that great. Flemish radicals and other sympathizers made a mascot of him to harass the opposition; his supporters knew
9
10
11
Koen Vossen, Vrij vissen in het Vondelpark. Kleine politieke partijen in Nederland 1918-1940
(Amsterdam: Wereldbibliotheek, 2003), p. 163-197.
Jan Meyers, Mussert, een politiek Leven (Amsterdam: De Arbeiderspers, 1984).
Christine van Everbroeck, August Borms. Zijn Leven, zijn oorlogen, zijn dood. De biografie
(Amsterdam/Antwerp: Meulenhoff/Manteau, zoos).
THE PERSONAl
that Borms sa
inside prison 1
desire to play
removes tlle 1
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given to tlle p
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REN DERS
THE PERSONAL IN THE POLITICAL BIOGRAPHY
ddressed
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produce
political
111g other
; friendly
If opporf his colrilling to
1e Dutch
iography
I that he
engineer
ent and
re extent
play the
that Borms saw himself too much as a messiah who preferred to live and work
inside prison rather than outside. Deep down, he was never in fact driven by any
desire to play a serious political role. The biographer's sober analysis of the facts
removes the polish from the myth. Precisely by devoting so much attention to
the way Borms was raised, to the conditions in which he lived and to his narcissistic tendencies, his biography gives us a deeper insight into his almost fairy-tale
like political views. The biographies of politicians in which much attention is
given to the personal are generally also those which provide the deepest insights
concerning their politics. But that is a conclusion which is open to debate.
I would like to take Dosse's position - the biographer is required to provide
a narrative of the transformation of the private individual into a public
figure - and turn it around: the biographer is required to provide the politician
with a personal narrative, so that we can better understand the incubation of
his political ideas.
I
in 1609
e biogras a child,
leas, but
ns were
: August
boration
ls Borms
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md infatinevan
'!11 done,
rms-cult
ru been
1er sym:rs knew
•bingrafie
221